Showing posts with label Notts What I Call Music. Show all posts
Showing posts with label Notts What I Call Music. Show all posts

Thursday, January 17, 2008

*DMFH* *DMPH*, That's The Sound Of The Police

Another chapter in the storied history of the Nottingham music scene was written by the Post today, who were rather excited to discover the bassist of Hepburn working as a Detective Constable in Notts, which makes a refreshing change from dragging your guitar to The Running Horse or whatever ex-band members in Nottingham do, I suppose.

Naturally, it's only a matter of time before someone from ITV commissions a crime series involving her, the little one from B*Witched, Lolly, and all of Vanilla taking down criminals in Mansfield with GIRL POWER (with Cheryl Baker as the firm-but-fair gaffer, and maybe Billie Piper could come in for the pilot show).

(PS: according to an acquaintance in the biz, his appreciation for Hepburn dimmed somewhat when he attended their launch party in a posh London hotel, pulled back a curtain he shouldn't have while they were onstage, and discovered an all-male band playing the instruments)

Saturday, August 04, 2007

Notts What I Call Music #1: Paper Lace

(Part One of a depressingly short series about Nottingham bands who made it)

Obviously, you can't begin to talk about the Trent Tempo without mentioning Paper Lace. Formed in the late 60s, they were quite happy to play in pubs in town for the next four years, until they appeared on Opportunity Knocks, smashed it five weeks running (no mean feat, considering that people actually had to vote by post, in those pre-mobile days), and ended up at No.1 in May 1974. The first time I ever heard the word 'Nottingham' uttered on the telly was when they were the lead story on Midlands Today, cruising past the Broadmarsh Centre in a black open-top limo waving a silver disc about.


Billy, Don't Be A Hero should have been No.1 in America an'all, but some teef bwoy called Bo Donaldson nicked it. Ne'er mind, as follow-up The Night Chicago Died made it. One more Top 20 hit (The Black-Eyed Boys) and they were out - only to return three years later to record We've Got The Whole World In Our Hands with the 1977-78 Forest squad (before they'd even won anything - that team was so lairy).

I interviewed Phil Wright (the drummer and lead singer) for LeftLion a while back. He's now a builder, and seemed amused that we were interested in talking to him. He was dead nice.

(and if you're still confused about the meaning of the word 'dezzeh', check the sucky youth behind Tony Blackburn at the beginning of that video)

Paper Lace - The Night Chicago Died (MP3)